Tag Archives: KMT

Shen – Shining Mirror


The Egyptian Shen-Ring,
symbol of all symbols,
represents the coming together
of the linear ordinary way of being
and the global plenary one
– in two words: time and eternity.
The art of passing from the one to the other,
and linking them at will,
is the secret of all dynamism and freedom.

— Medhananda

The shen ring is at first glance a circle with a horizontal line in a tangent along its bottom edge. However the shen is more than meets the eye. The Shen is a symbol which represents eternity. The more elongated version is known as a “Shenu”. It is used to house the name of someone in Mtu Ntr or hieroglyphics. Once a name was placed within it, it was thought to protect that person from negativity.

Deriving its name from the root shenu (to encircle), it was almost always a symbol of eternity. However, the shen ring also held the idea of “protection.” It most often carried this connotation when seen in its elongated variation, the cartouche; which surrounded the birth and throne names of the Pharaohs. Continue reading

KMT Library

Imagine similarăFrom The Ancient Kemetic Roots of Library and Information Science
By Itibari M. Zulu

A Library: A Literature

An obvious axiom in any discussion of libraries is that one must first have a literature in order to have a library. In this regard, Kemet was rich: (1) the Egyptian language is the oldest written (via hieroglyphics) language in existence (McWhirter, 1982, 166); (2) evidence of a literature is present in the library of Akhenaton (Amenhotep/Amenophis, IV) which contains numerous clay tablets/books in cuneiform writing representing diplomatic correspondence between Amenhotep III, Akhenaton’s father, and nation‑states subject to Egypt (Metzger, 1980, 211); (3) the Palermo Stone, a book of annals of Kemet mentioning Seshait (Seshat/Sesheta) as the goddess of libraries, writing, and letters (Richardson, 1914, 58‑60); and (4) the text of the Precepts of Ptah‑hotep, one of the first (c. 4000 B.C.) philosophical compositions (composed 2,000 years before the Ten Commandments of Moses and 2,500 years before the Proverbs of Solomon), engraved in stone (Nichols, 1964, 33‑34).

Hence literature in ancient Kemet was common and varied in its form. Sometimes it was on papyrus and at other times it was carved/engraved in stone (c. 2700 B.C.) on the walls of temples (library‑universities), pyramids, and other monuments (Nichols, 1964, 32). Fortunately, works written in stone have survived, to provide unequivocal evidence of an extensive Kemetic tradition.7 Continue reading

Heh and Hauhet

Related imageHeh and Hauhet, Deities of Infinity and Eternity
By Caroline Seawright

The ancient Egyptians [KMT] believed that before the world was formed, there was a watery mass of dark, directionless chaos. In this chaos lived the Ogdoad of Khmunu (Hermopolis), four frog gods and four snake goddesses of chaos. These deities were Nun and Naunet (water), Amun and Amaunet (invisibility), Heh and Hauhet (infinity) and Kek and Kauket (darkness).

The water stretched infinitely off in all directions, as ever lasting as time itself. Heh and Hauhet came to symbolise infinity. After time began, Heh and Hauhet came to symbolise limitless time, and long life.

Heh Holding Two Palm Fronds, Seated on the Symbol for Gold and Holding the Ankh Sign of Life




million determinative

The frog or human headed god Heh (Huh) was one of the original eight gods of the Ogdoad of Khmunu Continue reading

Kleo Patra – the Key

cleopatraDefense for Spiritual Warfare
The Prayer of the Lord

Gnostic Teachings, 2013 [Excerpt edited]

See part 1 – Ptah Ra Pater


Let us discuss Cleopatra, the feminine aspect of this subject matter. We talked about the Father but what about the Mother? You find this marvelous archetype also in ancient Egypt. When people talk about Cleopatra, they always remember the Cleopatra who was with Mark Anthony, but they ignore that there were many Cleopatra long before her in ancient Egypt. A Cleopatra is a vestal of the temple. They are what we call in this day in age “nuns.”

Cleopatra derives from the Greek name Κλεοπατρα, Κλεος-Πτα (Kleopatra) which means “glory of Ptah, the father” derived from (κλεος – kleos) “glory.” This is combined with πατρος, patros, “of the father (Πτα – Ptah)” or Κλεος-Ποτήρ “glory of the cup” (ποτήρ – potēr). The cup, the yoni, the feminine sexual organ, is the Holy Grail. Thus, Kleo-poter is Cleopatra.  Potēr means cup, chalice, grail, the sexual yoni. When you say Cleopatra, you are indicating the feminine sexual force of God. This is why the Cleopatras were vestals in ancient Egypt.

  • Kleopatra: “keys to the father,” from kleis [κλείς] “keys” + patros [πατρος] father
  • Kleopatra, Kleopetra: “Keystone,” from kleis [κλείς] “keys” + petra [πέτρᾳ] “stone”

Thus, Kleopatra symbolizes the keystone, which in the previous lecture the speaker was explaining. The keystone of the temple, the cornerstone of th Continue reading

Ptah Ra Pater

ptahDefense for Spiritual Warfare
The Prayer of the Lord

Gnostic Teachings, 2013 [Excerpt edited]

The graphic is of the African symbol Ptah, which as an archetype was very active in ancient KMT (now Egypt). We find Ptah in the Bible as Tso-Phtah Paneach צפתה פענח [Genesis 41:45]. Thus, we are also going to explain what Ptah symbolizes. That is why at the bottom of this powerful symbol or archetype we wrote the quotation of Hosea chapter 11, verse 1.

All of the prayers and wisdom that we find in Christianity, Islam and Judaism, emerge from the same land: KMT. When we study the African archetypes, which are very profound, Gnostics do not fall into the mistake of thinking like the ignoramuses who think that these are “idols.” We know what idols are, and what archetypes are.

The Prayer of the Lord, called in Latin “Pater Noster,” is powerful when we recite it in Latin, given the fact that Latin is a Romanic root language of different romance languages, such as Spanish, French, Italian, and Portuguese. We also find Latin words in the English language. Continue reading


Related imageSacred Geometry in Ancient Egypt
By M. Gadalla

The Cosmic Geometry
Herodotus, the father of history and a native Greek, stated in 500 BCE:

Now, let me talk more of Egypt for it has a lot of admirable things and what one sees there is superior to any other country.

The Ancient Egyptian works, large or small, are admired by all, because they are proportionally harmonious and as such appeal to our inner as well as outer feelings. This harmonic design concept is popularly known as sacred geometry—where all figures could be drawn or created using a straight line (not even necessarily a ruler) and compass, i.e. without measurement (dependent on proportion only).

The principles of sacred geometry are of Ancient Egyptian origin, which constituted the basis of harmonic proportions, as evident in their temples, buildings, theology, …etc. The Ancient Egyptian design followed these principles in well-detailed canons. Plato himself attested to the longevity of the Egyptian harmonic canon of proportion (sacred geometry), when he stated, “the pictures and statues made ten thousand years ago…”

The key to divine harmonic proportion (sacred geometry) is the relationship between progression of Continue reading

Eternal Curse for the Thiever

An Eternal Curse upon the Reader of These Lines
Robert K. Ritner, 2003

In retribution for the ‘prying’ or ‘intrusive curiosity’ inherent in the reading of another’s words, the Argentine novelist Manuel Puig entitled a 1980 work ‘Eternal Curse on the Reader of these Pages.’ The same sentiment appears in Egyptian magic. A Coptic curse preserved in the British Museum (Oriental Ms. 5986) begins with an invocation for divine wrath directed not against its primary victims (who are later damned by name), but against the accidental discoverer:

God of heaven and earth! Whoever shall open this papyrus and read what is written in (it), may all those things written in it descend upon him.1

A counterpart is provided by the Coptic Papyrus Lichaev, which concludes a specific curse with a similar generic warning:

Whoever opens this papyrus and reads it, what is written on it will come upon him, by order of the lord god.2

Such invocations of divine hostility have their origin well before Coptic Christianity, in magical practices of Late Period Egypt that exploit the bond between the demonic and the divine. Continue reading