Tag Archives: Symbols

Mountain and Caves

Grain in the mountain hieroglyph shape Mountain

Mountain (djew)

The hieroglyphic sign for “mountain” depicted to peaks with a valley running between them. This image approximated the hills that rose up on either side of the Nile valley.

Although the djew hieroglyph did portray the mountain ranges the Egyptians saw in their everyday lives, it also was a visualization of their cosmic beliefs. Symbolically, the “mountain” was an image of the universal mountain whose two peaks were imagined to hold up the sky. The eastern peak was called Bakhu, to the west was Manu. The ends of this great mountain were guarded by two lions who were called Aker. Aker was a protector of the the sun as it rose and set each day. Continue reading

Star Potential

Image result for remphanStar of David – THE Cosmic countdown
Alignments, Symmetry & Patterns from 1990-2013

By Luis B. Vega, 2013 [Excerpted]

The purpose of this study, with chart for illustration (see link above) is to highlight a key celestial occurrence in the Heavens called the Star of David planetary alignment. The focus of the timeline presented will be from the most recent occurrences in our modern time. Starting from 1990 to 2013, these peculiar planetary alignments seem to be clustered. In particular, since 1990, there are 13 Star of David configurations that occur. The 13th occurrence is the ‘last one’ leading up to the Tetrad of 2014-2015. (See Dissection of a Tetrad chart) After 2013, there will not be another such configuration of either a Tetrad or Star of David alignment for another 100 years or so.

The Star of David alignments appears to follow a ‘countdown’ sequence or frequency of sorts. It very much appears to be like the Total Solar Eclipses that occurred consecutively on the 1st of Av in 2008, 2009 & 2010. Those 3 consecutive Eclipses appeared to signal the ‘countdown’ to the start of the 7-Year Solar-Lunar pattern. (See Solar Eclipse pattern chart) It appears that this same principle or ‘astronomical law’ is at work here with the Star of David alignment pattern & symmetry. The pattern Continue reading

Shen – Shining Mirror


The Egyptian Shen-Ring,
symbol of all symbols,
represents the coming together
of the linear ordinary way of being
and the global plenary one
– in two words: time and eternity.
The art of passing from the one to the other,
and linking them at will,
is the secret of all dynamism and freedom.

— Medhananda

The shen ring is at first glance a circle with a horizontal line in a tangent along its bottom edge. However the shen is more than meets the eye. The Shen is a symbol which represents eternity. The more elongated version is known as a “Shenu”. It is used to house the name of someone in Mtu Ntr or hieroglyphics. Once a name was placed within it, it was thought to protect that person from negativity.

Deriving its name from the root shenu (to encircle), it was almost always a symbol of eternity. However, the shen ring also held the idea of “protection.” It most often carried this connotation when seen in its elongated variation, the cartouche; which surrounded the birth and throne names of the Pharaohs. Continue reading

Sophia’s God

Image result for sephedet

Sephedet vs Star of David
By Ishangi, 2012 [Edited]

If History is a lie agreed upon, the story of the Sephedet should be it’s Poster child! If you’re familiar with our Versus Series and/or my writings, you’re well aware of our claims—shared by many historians whose shoulders I stand on—that our ancient Afrikan historical presence has been preserved (although hidden) around the world!

Because we have been stripped of our historical legacy dating back to the first invasions in the Nile Valley, on through the Maangamizi and the Atlantic Slave Trade, the old axiom, “…if you want to hide something from someone, put it in a book or in front of their face,” have prevailed.

One of the many things YTs did as a common act of invasion, the pillagers take over what they choose of their victims customs; then, as popularly noted by the greeks, plagiarize these customs (religious deities, rituals, laws, and other cultural celebratory traditions) to suit themselves—even going as far as changing the names, skin pigmentation, and stories making it literally impossible to trace its origin.  Continue reading

Heh and Hauhet

Related imageHeh and Hauhet, Deities of Infinity and Eternity
By Caroline Seawright

The ancient Egyptians [KMT] believed that before the world was formed, there was a watery mass of dark, directionless chaos. In this chaos lived the Ogdoad of Khmunu (Hermopolis), four frog gods and four snake goddesses of chaos. These deities were Nun and Naunet (water), Amun and Amaunet (invisibility), Heh and Hauhet (infinity) and Kek and Kauket (darkness).

The water stretched infinitely off in all directions, as ever lasting as time itself. Heh and Hauhet came to symbolise infinity. After time began, Heh and Hauhet came to symbolise limitless time, and long life.

Heh Holding Two Palm Fronds, Seated on the Symbol for Gold and Holding the Ankh Sign of Life




million determinative

The frog or human headed god Heh (Huh) was one of the original eight gods of the Ogdoad of Khmunu Continue reading


Related imageSacred Geometry in Ancient Egypt
By M. Gadalla

The Cosmic Geometry
Herodotus, the father of history and a native Greek, stated in 500 BCE:

Now, let me talk more of Egypt for it has a lot of admirable things and what one sees there is superior to any other country.

The Ancient Egyptian works, large or small, are admired by all, because they are proportionally harmonious and as such appeal to our inner as well as outer feelings. This harmonic design concept is popularly known as sacred geometry—where all figures could be drawn or created using a straight line (not even necessarily a ruler) and compass, i.e. without measurement (dependent on proportion only).

The principles of sacred geometry are of Ancient Egyptian origin, which constituted the basis of harmonic proportions, as evident in their temples, buildings, theology, …etc. The Ancient Egyptian design followed these principles in well-detailed canons. Plato himself attested to the longevity of the Egyptian harmonic canon of proportion (sacred geometry), when he stated, “the pictures and statues made ten thousand years ago…”

The key to divine harmonic proportion (sacred geometry) is the relationship between progression of Continue reading

Gates of Even

A Study of their Cosmic and Prophetic Significance
by Luis B. Vega, 2015

‘And to the Angel of the church in Philadelphia write: He who is Holy, who is True, who has the Key of David, who opens and no one will shut, and who shuts and no one opens, says this: ‘I know your deeds. Behold, I have put before you an Open Door [Gate] which no one can shut, because you have a little power, and have kept My word, and have not denied My name.’ – Revelation 3:7-8

The purpose of this study is to consider the concepts of the Golden and Silver Gates of the Cosmos. In light of the many assertions pertaining to the opening of ‘Gates’ or doors by CERN lately one has to appreciate the conceptualization of what the Golden Gate and Silver Gate alludes to. The Ancients knew that Gates or portals existed into other dimensions. One such knowledge is the concept of what the Golden Gate and Silver Gate are apparently in relation to the known Universe from Earth’s perspective. Continue reading