1920s-era cigarette trading card art and text:
This is one of 50 trading cards depicting amulets and talismans published in England during the 1920s by W. D. & H. O Wills, makers of Wills’s Cigarettes.
The use of a representation of the Hand as a talisman can be traced back to at least 800 years B.C., when it was used as a charm against enchantment. Many varieties of the Hand exist; in some the elaboration is very marked, each device representing some particular charm. Life size models of these Hands were supposed to guard the house against all influences of magic and evil, and smaller replicas protected their wearers from every description of harm. The extended thumb and first two fingers, the third and fourth fingers closed, is a position still assumed during the Benediction in some Christian Churches to-day.
The item depicted on this card is one of the more famous talismans in the British Museum, a late Roman bronze “Hand of Power” or Mano Panthea sculpted in the round. The defining quality of the Hand of Power in its many forms is that it invariably is shown standing upright upon its severed wrist and is adorned with various zoomorphic and utensil forms.
This hand — a right one — makes a sign of benediction, the thumb and first two fingers upraised and the last two fingers curled down. There is a small pine cone balanced on the tip of the thumb and a large crowned snake crawls up the back of the hand and arches over the bent ring and little fingers. Other animals and objects covering the rear of the hand in high relief include a lizard, a worm, a salamander, a frog, a caduceus, a fasces, a turtle, and a group of urns. The view shown here is from the rear, which complements pictures of the same object in other books, where it is photographed from the front.
The front of this hand (see the anonymous Octopus/Crown Books “Encyclopedia of Magic and Superstition”) bears a ram’s head, a sprig of mistletoe, a woman nursing a baby wrapped in swaddling clothes, and a curious table with human legs upon which rest three disks (votive food offerings?).
For a sketchy drawing of a similar late Roman bronze Hand of Power see Elworthy’s “Horns of Honour” (reprinted as an illustration in DiStasi’s “Mal Occhio”). This latter Hand features a pine cone on the thumb, a bust of wing-helmeted Mercury atop the curled-down ring and little fingers, a crowned snake wrapped around the thumb, a caduceus, a turtle, a frog, a balance beam scale, an urn, a sprig of mistletoe, and what may be a salamander.
Yet another late Roman bronze Hand of Power was sketched by Elsworthy in his classic book, “The Evil Eye.”
The Hand of Power continues in popularity today as the Roman Catholic Powerful Hand or Mano Poderosa, which is sold on saint cards and applied to votive candles. In the modern Catholic version, the fingers are all stretched upright, as is the thumb, and various saints and angels are standing on and around the digits.
The upright-facing Hand of Power is generally considered to be benedictive in nature, but it also conveys magical protection to the household. When the hand is shown making the gesture known as the mano fico (“fig hand” in Italian), it acquires the apotropaic evil eye repelling quality of that gesture.